Media company... did a play on the M and E... worked well in a clean triangle formation with a clean business name description. Pops on a black background
An old logo made in 2012 for the first edition of Impulsa tu empresa a business accelerator program implemented by Technoserve. Check the identity project http://on.be.net/1bG1sih
ARCH ATELIER is an architecture and interior design studio based in Damascus, Syria. Formed and ran by a group of young architects who carry big dreams to establish their atelier into a global brandmark. The logo uses the initials of Arch Atelier, with negative space. The two "A"s where transformed into triangles that act like arrows upwards, which is the core concept of architecture, building towards the sky. The negative space also helps to give ascending harmony to the logo, which resembles innovation.
Cognitive logo developed for Casablanca creative agency. www.behance.net/gallery/20264157/Casablanca-Branding
Isaac Bear Bearhawks athletic logo. Developed as an upside down triangle and using the golden mean for placement and cause Bearhawks are awesome.
"Our goal for a study of implementation of the new brand was to be based on the ideas and key objectives of the company are: Provide industrial assembly and maintenance services with quality and efficiency, which results in a competitive price and profitability. For the development of typography, seek work in the union of metal objects of everyday business, such as pipes, metal profiles and iron sheets, thus creating a unique and solid typography.”
This is a logo for a completely fictitious entity named IMPORTL, which could be an open source web development site, or some type of developer software.
The idea is that the triangular facets form a series of open holes, or "portals," in multidimensional space. The central facets can also be seen to form a cube which is open on three sides. Lying before each opening is another opening on that side's respective "floor," yet, in an Escher-like paradox, where spatial orientation is an irrelevant construct, there is no floor. There is no up, down, left, right, back, or forth. This hyperspatial environment suggests infinite possibilities for the arrangement, manipulation, and exchange of data.
For color, the idea is that the primary colors that form the central cube beget the secondary colors that rotate outward, suggesting expansion, transformation, evolution.
The mark employs a custom typeface that compliments the angularity of the mark.
Click here to see the case study for this logo, which chronicles its development, and includes full design rationale, sketches, electronic roughs, and alternate designs.
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